$100 Earnings: How Concert Fans Make Money from Live Music Events

When people talk about $100 earnings, a realistic, attainable income goal often tied to side gigs, reselling, or event-based work. Also known as side income from live events, it’s not about getting rich—it’s about turning your concert habit into something that pays back. For many, that $100 isn’t a bonus. It’s the difference between skipping a concert or going all in.

Think about it: a fan buys a $150 ticket to a show, then resells it for $250 after the artist announces a surprise guest. That’s $100 in earnings before the music even starts. Or maybe someone shows up early with a box of handmade merch—patches, pins, custom shirts—and sells them to other fans outside the venue. One person told us they cleared $120 in two hours at a Taylor Swift show just selling DIY Eras Tour keychains. No website. No ads. Just standing there with a table and a smile.

It’s not just fans. People who know how to use Ticketmaster VIP packages, premium concert bundles that include early entry, exclusive merch, and sometimes meet-and-greets can flip those perks. Buy a VIP package with a $50 merch item that normally sells for $120 on eBay? That’s $70 profit right there. Or use nugs.net, a subscription service that streams live concert recordings from major artists to record high-quality audio from shows and sell it as unofficial live albums to collectors. One guy in Texas made $1,000 last year just from selling 20 copies of a rare Pearl Jam bootleg.

And it’s not just resale. Some fans get paid to livestream shows legally—like when an artist encourages fan content and shares it. Others work as unofficial tour guides, helping out-of-town fans find parking, food, and after-parties for a small fee. At festivals, people rent out folding chairs, phone chargers, or even shade tents. A $5 rental fee, 20 people a day? That’s $100 before lunch.

The real trick? It’s not about being a scalper. It’s about being resourceful. The concerts that generate the most $100 earnings aren’t the biggest names—they’re the ones with the most passionate crowds. Where fans care enough to pay extra, and where there’s enough foot traffic to make small deals add up. You don’t need a business license. You don’t need a website. You just need to show up, pay attention, and know what people are willing to pay for.

Below, you’ll find real guides on how to spot these opportunities—whether it’s buying the right VIP package, knowing when to resell, or even how to legally record and sell live audio. No hype. No get-rich-quick scams. Just the practical ways real people turn their love of live music into cash.